WOULD AN EXECUTIVE KEEP READING YOUR SCRIPT?

Submit your first 15 pages and find out how your script stacks up in a real studio-style read.

Your script’s first 15 pages are your calling card.​

Let’s see if they’re doing the job.

Submit to the First 15 Script Competition for a shot at real feedback, a live workshop with Shannan E. Johnson (CEO + Head Consultant at The Professional Pen), and a general meeting with a Hollywood executive.​

LEARN MORE

CYCLE I SCRIPT COMPETITION WINNER

“I’ve entered my share of screenwriting contests, but my experience with TPP stands head and shoulders above the others. The finalist workshop was extremely productive, and my career strategy call with Shannan E. Johnson of The Professional Pen helped me prepare for my in-person general meeting with Ahmadou Seck of MACRO. After my sessions, I felt energized and ready to attack my writing goals. There is so much bang for your buck with this contest. I highly recommend it.” - J.D.

A logo with a green laurel wreath and a black number 15 in the center, with the word 'First' written in neon green cursive across it. A smaller green circle at the bottom contains the text 'The Professional Pen' in cursive.

what is the FIRST 15 COMPETITION?

Like the studio submission process, when a script lands on an executive’s desk,
the first 15 pages and the logline have to do all the heavy lifting.
That’s how they decide whether to keep reading—or pass.

The First 15 is a screenwriting competition that simulates the real Hollywood development process. Writers submit a logline and the first 15 pages of their script. All submissions are evaluated by industry-trained Story Experts — not just for a prize, but to help writers gain insight, confidence, and direction.

This is not just a contest. It’s development.

SUBMIT YOUR SCRIPT

How the script competition works

REGISTRATION FEE

Early Bird: $69
Regular: $79
Final: $99

REGISTRATION DEADLINES

The First 15 simulates a real Hollywood development process in 2 rounds:


Round 1: Logline Evaluation
You submit your logline + the first 15 pages of your script.
We review your logline first to see if your story is clear and compelling — just like execs reviewing for mandate fit. If your logline meets industry expectations, you advance to Round 2.


Round 2: First 15 Page Review
Your first 15 pages are scored on structure, character, tone, dialogue, and more. You’ll receive detailed feedback, a development-focused conclusion, and a recommendation (Consider / Needs Development / Pass).

  • Top 10 Finalists get invited to a private live workshop.

  • 1 Winner receives a career strategy session and a general meeting with a Hollywood industry pro.

SUBMISSION REQUIREMENTS

Submit only the first 15 pages of your feature screenplay or TV pilot formatted to industry standards and uploaded as a .pdf file.

Shorts, scripts longer than 15 pages (excluding the title page), scripts not in industry-standard screenplay format, and files submitted in any other format than .pdf will be automatically disqualified.

Early Bird: TBD
Regular: TBD
Final: TBD

GET NOTIFIED WHEN SUBMISSIONS OPEN

Meet your Jurors

  • Collage of four photos featuring diverse groups and individuals: a smiling woman with curly hair in a sparkly dress, a group of friends in formal attire at a wedding, a woman crying and covering her face, and young men in football uniforms on a field.

    SHANNAN E. JOHNSON, CEO + HEAD CONSULTANT

    Former TV Executive turned screenwriter and script consultant, Shannan is a quitter and a hater. An 80s baby, she didn’t know Hollywood existed until her mother sent her a magazine article about a black, female TV writer during the last semester of her senior year in college. She was later redirected from writing to development due to her ability to see plot holes like math equations and easily solve them. So, Shannan became a TV executive through the NBCU Entertainment Associates program at The Syfy Channel.

    Then, she quit. For 8 years, Shannan toured the world in dance companies (Step Afrika!, Sole DEFINED) and Broadway shows (Ghost, Amazing Grace). Didn't see that coming, huh? When she returned to L.A. to recharge her executive career, her access to Hollywood – the largest gated community in the world – was denied. So, she built The Professional Pen, the first black-owned script consultancy, to develop screenwriters and streamline scripted teams’ development processes.

    As a professional hater, Shannan provides straight-shot, no-chaser feedback to screenwriters and analysis on produced works to teach screenwriting via TPP’s social media channels.

    Partnership Highlights: The Syfy Channel, Amazon Prime Studios, FOX Writers Incubator, ScreenCraft, The Hallmark Media, Florida State University, New York Film Academy, Stage 32

    Fun Facts:
    Hometown: Houston, TX
    Favorite Film: THE BEST MAN written by Malcolm D. Lee
    Favorite Screenplay: A QUIET PLACE written by Scott Beck and Bryan Woods
    Favorite Series: “Friday Night Lights” developed by Peter Berg

  • A collage of four images: a person with dreadlocks, glasses, and a hat; a close-up of a woman's face with artistic lighting; a colorful poster with an illustration of a hooded figure and a woman; and a man with green eyes, dark hair, in a dark background.

    PAGES Matam, Lead Story Expert

    Sold writer and multi-fellowship alum, PAGES (They/He) is a genderqueer med-school dropout turned award-winning film-poet and agent of imagination, writing poems and high-concept dramas centering stubborn characters and stories of defying the odds through their Black, Queer, and immigrant perspective.

    They are a National Poetry Slam and Southern Fried Champion, a GLAAD Black Queer Creatives Fellow, a Callaloo Fellow at Brown University, and the author of three books, including “The Heart of Comet (Write Bloody).” Their work is fueled by Toni Morrison’s words: “The function of freedom is to free someone else.” They have also been featured by TEDx, Macy’s, the Apollo, Essence, and KeyTV by Keke Palmer, among many other platforms. Their short film, SEVEN MINUTES OF HEAVEN?, produced by SuperSpecial, earned multiple laurels on the festival circuit.

    When they’re not fiercely working on their next screenplay or poetry manuscript, they practice trauma-informed work as a teaching artist in Los Angeles (Tongva Land). They are a full-time artist, performer, and organizer who loves gummy bears, fried plantains, and battle-horror anime

    Highlighted Accomplishments: 1hr fantasy TV drama (EP Lily Wachowski (THE MATRIX)) in development with ITV & Anarchists United, Circle of Confusion Writers Discovery fellow, John Singleton x PAFF short film prize finalist, CANNES Diversity Showcase

    Fun Facts:
    Hometown: Born and raised in Cameroon, Central Africa then blossomed in the DMV (Piscataway Land)
    Favorite Film: MOONLIGHT written by Barry Jenkins, based on Tarell Alvin McCraney's unpublished semi-autobiographical play In Moonlight Black Boys Look Blue
    Favorite Screenplay: EVERYTHING EVERYWHERE ALL AT ONCE written by Daniel Scheinert and Daniel Kwan
    Favorite Series: “Interview with a Vampire” developed by Rolin Jones, based on “The Vampire Chronicle"s” by Anne Rice

  • A collage of four images: a man in a suit smiling at the camera, two people lying on ice with a crack running through it, a close-up of a person with short hair looking up, and a group of diverse young adults standing together.

    Carlton Allen, Story Expert

    Working writer and master teacher, Carlton Allen (He/him) is a young mixed kid from South Los Angeles, who enjoyed escaping into good movies and television on a regular basis. He never dreamed he could one day do that as a job. Several years later during a business communication class at the University of Arizona, Carlton heard a classmate give a speech about screenwriting. The very next day, he switched his major from business to communication with the goal of writing and producing television and feature length films.

    Carlton's passion is to create unique stories with diverse voices all wrapped up in a thought-provoking yet entertaining package.  To date, Carlton has written dozens of specs, original pilots, and features, placing in such competitions as The Austin Film Festival and Final Draft’s Big Break.

    As Carlton traverses the screenwriting industry, he takes on writing gigs to keep his skills sharp. He was hired to write a CRM sales-focused interactive simulation for training and hiring practices where he crafted the story, outcome-based scenes based on player options, and wrote the dialogue for all the NPC’s (Non-Player Characters).

    Carlton also recently published a short book of fun facts and the history of tennis.  A passion project, Pocket Guide of Fun Facts About Tennis gave him an opportunity to learn about online publishing. Both of these projects had their own set of challenges, just like learning and growing in screenwriting, but it's always worth the reward. They both opened his eyes to the type of work that’s available to writers while we work like hell to make it in Hollywood.

    Highlights: (Production) Warner Bros. Nickelodeon, FOX and CBS (Teaching) Chrysler, Dodge, Jeep, RAM, FIAT and Toyota

    Fun Facts:
    Hometown: Los Angeles, CA
    Favorite Film: ETERNAL SUNSHINE OF THE SPOTLESS MIND written by Charlie Kauffman
    Favorite Screenplay: BLACK PANTHER written by Joe Robert Cole & Ryan Coogler based on the Marvel Comics by Jack Kirby and Stan Lee
    Favorite Series: “The Big Bang Theory” created by Chuck Lorre and Bill Prady

CYCLE II SCRIPT COMPETITION WINNER

“The competition delivered everything that it promised and beyond. This is my first win for screenwriting and I received excellent feedback from the Judges, post competition, as well as indelible and industry hacking advice from both Shannan and Brian which had a through-line that our very own life experiences can open doors and sometimes be more valuable than a script, itself; however, that it helps to have a reason of why we connect so much with what we are writing. As a result of meeting with Brian, he gave me permission to send him a screenplay after the Holidays. GOD IS GOOD.”

- Robert

THE TOP TEN SCREENWRITERS

CYCLE II - FALL 2025

Robert Davis
KiAnna Nycole
Marcus Hettig
Fordang Nibalum
Brian Keith Moody
Toni Blagmon
Juanna Brown
Taneka Maxwell
Tiffany Brooks
​Jamie Nieto

WATER
UNHEARD
HOPES
SANKOFA
THE VANISHING
REPivot
DEATH, TAXES, & WAYNE CASH
MARNY'S GIFT
AnDREA
​JUSTES

Feature
TV - 1hr
TV - 1/2hr
Feature
Feature
TV - 1/2hr
TV - 1hr
Feature
Feature
​TV - 1hr

2nd round screenwriters

CYCLE II - FALL 2025

Amaleka McCall
Anthony Moore
Ayisha Henry
Brandon Goss
Brian Keith Moody
Brittany Scott
Christine Pate
Christian Lemar
Cydney Williams
Fordang Nibalum
Gia Barnwell
Jamie Nieto
Jill Munroe
Jordan Howard
Juanna Brown
Juice Harris
Kathleen Gamble

Katy Kendeall
Keshia Thomas
KiAnna Nycole
Larry Solidarity
Marcus Hettig
Mariah Bethea
Nneka Hite
Nyon Smith
Robert Davis
Rodney Bigham II
Sheila Swanson
Taneka Maxwell
Taylor Lee
Ti Nicole Danridge
Tiffany Brooks
Todd Ocvirk
Toni Blagmon

THERE’S STILL TIME TO WORK ON YOUR PAGES!

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You’ve got questions.
We’ve got answers.

Browse our FAQs — or chat 1:1 with a Story Expert to get your questions answered.

Schedule a Kick-Off Jam
  • The First 15 is a screenwriting competition that simulates the real Hollywood development process. Writers submit a logline and the first 15 pages of their script. All submissions are evaluated by industry-trained Story Experts — not just for a prize, but to help writers gain insight, confidence, and direction.

  • The First 15 is for screenwriters who are ready to start developing like a pro. Whether you're brand new or already repped, this competition mirrors the real studio process — from logline evaluations to page-by-page reads.

    You'll walk away with:

    • Actionable notes

    • A clearer draft

    • Industry-level experience

    If you’re serious about leveling up your craft and career, this is for you.

  • Because that’s how Hollywood works. Execs know within the first 15 pages whether a script has potential. These pages set the tone, introduce the world, and tell us if a writer knows what they’re doing. By focusing on the first 15, we’re helping you strengthen the part of your script that matters most — the hook.

  • The First 15 simulates a real Hollywood development process in 2 rounds:

    • Round 1: Logline Evaluation
      You submit your logline + the first 15 pages of your script.
      We review your logline first to see if your story is clear and compelling — just like execs reviewing for mandate fit.
      If your logline meets industry expectations, you advance to Round 2.

    • Round 2: First 15 Page Review
      Your first 15 pages are scored on structure, character, tone, dialogue, and more. You’ll receive detailed feedback, a development-focused conclusion, and a recommendation (Consider / Needs Development / Pass).

    • Top 10 Finalists get invited to a private live feedback workshop.

    • 1 Winner receives a career strategy session and a general meeting with a Hollywood exec.

  • Every qualifying script already gets feedback on their first 15 pages. That’s included in your entry.

    Want deeper feedback?
    You can submit your full script for Development Notes or Schedule a Story Jam with our Story Experts once feedback is returned.

  • All submissions that make it past the logline round and qualify for Round 2 (First 15 Pages) will receive:

    • A Scoresheet evaluating key elements like:

      • Inciting Incident

      • Tone

      • Premise

      • Characters

      • Dialogue

      • Storyline

      • Formatting & Proofreading

    • A recommendation (Consider, Needs Development, Pass)

    • A development-focused conclusion with quick next steps

    • ​Top 10 Finalists will be invited to a LIVE script feedback workshop with Shannan E. Johnson, former TV exec and CEO of The Professional Pen.

    • 1 Winner will receive:

      • A career strategy session with Shannan

      • A general meeting with a Hollywood executive

  • Script Types Accepted

    • Features

    • TV Pilots

    • No Shorts accepted

    • Any submission not in industry-standard screenplay format will be disqualified

    What to Submit

    • A logline (round one)

    • The first 15 pages of your script (round two if qualified)

    • Submissions exceeding 15 pages (excluding title page) will be disqualified

    Accepted File Format

    • .PDF only

    • Any other format will be automatically disqualified

  • Script recommendations are evaluations that help writers understand the level of development their script requires
    ​to meet industry standards and enhance its overall quality.

    PASS: An executive is likely to stop reading the script due to the story being unclear, weak structure, and/or lack of proofreading and industry-standard formatting. 

    NEEDS DEVELOPMENT: An executive may choose to continue the read if the writer addresses the action items disclosed in the feedback.

    CONSIDER: An executive will likely continue the read because the story is clear, the structure is strong, and the proofreading and formatting is professional and up to industry standard.

A collage of five diverse individuals, including men and women of varying ages and backgrounds, against a background of leafy green trees and a mountain landscape.

hollywood

hollywood

STEP UP.
STAND OUT.
GET READ.

Submit your first 15 pages for a chance to workshop with our team and land a general meeting with a Hollywood pro. This isn’t just feedback—it’s a foot in the door.

Join the Waitlist