PLOT HOLES ARE CHEAPER TO FIX ON THE PAGE.

Get professional feedback that identifies what’s working and what’s not before your next draft or your first day on set.

Cassandra M.

Pen Pal Success Story

From Development Notes to NAACP Image Award Winner.

“I used TPP’s services when I started out writing features in 2021, and the script I received some good marks to has now been produced and is starring some amazing talent (Lil’ Rel Howery, Tabitha Brown). I credit TPP’s services, along with other outside training, that helped jumpstart my confidence in my journey as a writer.”

“TPP’s services helped jumpstart my confidence in my journey as a writer.”

Unexpected Christmas — Variety coverage of Cassandra Mann's NAACP Image Award win

Unexpected Christmas

3 NAACP Image Award Nominations

Nominated Outstanding Independent Motion Picture
Nominated Outstanding Breakthrough Performance (Motion Picture)
Winner Outstanding Breakthrough Creative (Motion Picture)
Read Cassandra's Full Story

“I used TPP’s services when I started out writing features in 2021, and the script I received some good marks to has now been produced and is starring some amazing talent (Lil’ Rel Howery, Tabitha Brown). I credit TPP’s services, along with other outside training, that helped jumpstart my confidence in my journey as a writer.”

YOUR DEVELOPMENT TEAM.
WITHOUT THE STUDIO.

Development Notes is our signature service, and here’s why:

Someone lied to you about needing script coverage, and TPP is on a mission to correct that mistake.
Script Coverage and Development Notes are not the same thing —and knowing the difference could save your project. Read this before you spend another dollar→

And while we’re on the subject, let’s bust a few more myths.
Development isn’t just a studio thing, it doesn’t have to be expensive, and it isn’t about mandating changes to your story.

Independent filmmakers need development, too.
Go ahead and add it to your budget.

NOW THAT THE EXCUSES ARE OUT OF THE WAY…

HERE’S HOW IT WORKS

  1. Submit Your Script: All writers are assigned their own personal development partner. We call them Story Experts.

  2. Review Your Notes: Learn what’s working, what isn’t, and where to focus your rewrite. Need clarity or want to talk strategy? Schedule a Story Jam with your Story Expert.

  3. Revise. Assess. Repeat as Needed: Take time to address the feedback, then submit your revised draft for another round of notes at a discounted rate. Every script is different. Your story determines how many rounds it needs.

WHO NEEDS DEVELOPMENT?

Independent filmmaker working with a camera

Independent Filmmakers

Preparing to shoot your project?

Don't waste money shooting a script that isn't ready.

Writer reviewing project materials

Pitch-Ready Writers

Preparing to take your script out?

Don't lose opportunities because the script doesn't deliver on the pitch.

Emerging screenwriter at a typewriter

Emerging Screenwriters

Finished your script?

Don't waste time on endless rewrites.

Director's chair representing you

YOU

Not sure where you fit?

If you're writing a screenplay, script feedback helps you move forward.

WE KNOW WHAT YOU'RE THINKING...

01

I don't want anyone changing my story.

It's your story. We help you strengthen your vision, not replace it with ours.

02

I can't afford professional script development.

You don't need a studio budget to access studio-level development expertise. Plus, pay-later options are available.

03

I don't have time for script development.

Fixing story problems on the page takes less time than fixing them during production—or after. Get your notes in two weeks, with one-week expedited service available.

04

I'm afraid they'll tear my script apart.

Our notes are constructive, actionable, and designed to help you move forward—not discourage you.

05

What if I don't agree with the feedback?

You're not paying for someone to tell you what to write. You're investing in an experienced perspective so you can make informed creative decisions.

SUBMIT YOUR SCRIPT FOR DEVELOPMENT NOTES

For

  • 1/2hr TV Pilots
  • 1hr TV Pilots
  • Features
Click here for shorts →

You'll Receive

Detailed page-by-page notes on:

  • Story
  • Structure
  • Character
  • Areas of Confusion

Plus

  • Overall summary of areas of development
  • Final recommendation: Pass / Needs Development / Consider
  • Clear next steps

What To Expect

  • Turnaround: 14 business days
  • Additional pages: $4/pg.
  • Pay Later Available

Continue Your Development

  • Logline Review
  • Story Jam
  • Rewrite Package
  • Discount on future drafts

SELECT YOUR SCRIPT FORMAT:

30-minute TV pilot

1/2hr TV

For pilot scripts up to 30 pgs.

$139
SUBMIT 1/2HR TV
60-minute TV pilot

1hr TV

For pilot scripts up to 60 pgs.

$259
SUBMIT 1HR TV
Feature screenplay

FEATURES

For feature scripts up to 120 pgs.

$379
SUBMIT FEATURE

SHORTS NEED LOVE, TOO.

Many writers and independent filmmakers sharpen their craft by shooting a short. Short scripts move fast, which means every moment has to count. If you're unsure whether your story is clear, your ending lands, or your idea is strong enough to produce, talk it through with a Story Expert before pre-production.

You'll Receive

  • A 1-hour live consultation
  • Feedback on story, structure, and character
  • Identification of plot holes and areas of confusion
  • Guidance on making your script production-ready
  • Answers to your screenwriting and production questions
  • Clear next steps

What To Expect

  • Starting at $150
  • Choose your Story Expert
  • Submit your script for advance review (up to 15 pages)
  • Additional pages: $4/page
  • Verbal feedback only. No written notes.

MEET YOUR DEVELOPMENT TEAM

  • A collage of four images showing diverse groups of people. The first image features a smiling woman with curly hair dressed in a sparkly black top. The second image shows a large group of smiling people in formal attire, suggesting a celebration or wedding. The third image is a close-up of a woman with blonde hair wiping tears from her eyes. The fourth image depicts young men in blue football uniforms on a field, smiling and walking together.

    SHANNAN E. JOHNSON, CEO + HEAD CONSULTANT

    Former TV Executive turned screenwriter and script consultant, Shannan is a quitter and a hater. An 80s baby, she didn’t know Hollywood existed until her mother sent her a magazine article about a black, female TV writer during the last semester of her senior year in college. She was later redirected from writing to development due to her ability to see plot holes like math equations and easily solve them. So, Shannan became a TV executive through the NBCU Entertainment Associates program at The Syfy Channel.

    Then, she quit. For 8 years, Shannan toured the world in dance companies (Step Afrika!, Sole DEFINED) and Broadway shows (Ghost, Amazing Grace). Didn't see that coming, huh? When she returned to L.A. to recharge her executive career, her access to Hollywood – the largest gated community in the world – was denied. So, she built The Professional Pen, the first black-owned script consultancy, to develop screenwriters and streamline scripted teams’ development processes.

    As a professional hater, Shannan provides straight-shot, no-chaser feedback to screenwriters and analysis on produced works to teach screenwriting via TPP’s social media channels.

    Partnership Highlights: The Syfy Channel, Amazon Prime Studios, FOX Writers Incubator, ScreenCraft, The Hallmark Media, Florida State University, New York Film Academy, Stage 32

    Fun Facts:
    Hometown: Houston, TX
    Favorite Film: THE BEST MAN written by Malcolm D. Lee
    Favorite Screenplay: A QUIET PLACE written by Scott Beck and Bryan Woods
    Favorite Series: “Friday Night Lights” developed by Peter Berg

  • A collage of four different images: the first is a portrait of a Black man with dreadlocks wearing glasses and a tan blazer, holding a cigarette; the second is a close-up portrait of a Black woman with short hair, with a vibrant purple and blue overlay; the third is an animated illustration of a woman with long hair, surrounded by colorful, intricate designs and Chinese characters; the fourth is a still from a movie showing two men with striking green eyes, in dark suits, against a dark, foggy city background at night.

    PAGES Matam, Lead Story Expert

    Sold writer and multi-fellowship alum, PAGES (They/He) is a genderqueer med-school dropout turned award-winning film-poet and agent of imagination, writing poems and high-concept dramas centering stubborn characters and stories of defying the odds through their Black, Queer, and immigrant perspective.

    They are a National Poetry Slam and Southern Fried Champion, a GLAAD Black Queer Creatives Fellow, a Callaloo Fellow at Brown University, and the author of three books, including “The Heart of Comet (Write Bloody).” Their work is fueled by Toni Morrison’s words: “The function of freedom is to free someone else.” They have also been featured by TEDx, Macy’s, the Apollo, Essence, and KeyTV by Keke Palmer, among many other platforms. Their short film, SEVEN MINUTES OF HEAVEN?, produced by SuperSpecial, earned multiple laurels on the festival circuit.

    When they’re not fiercely working on their next screenplay or poetry manuscript, they practice trauma-informed work as a teaching artist in Los Angeles (Tongva Land). They are a full-time artist, performer, and organizer who loves gummy bears, fried plantains, and battle-horror anime

    Highlighted Accomplishments: 1hr fantasy TV drama (EP Lily Wachowski (THE MATRIX)) in development with ITV & Anarchists United, Circle of Confusion Writers Discovery fellow, John Singleton x PAFF short film prize finalist, CANNES Diversity Showcase

    Fun Facts:
    Hometown: Born and raised in Cameroon, Central Africa then blossomed in the DMV (Piscataway Land)
    Favorite Film: MOONLIGHT written by Barry Jenkins, based on Tarell Alvin McCraney's unpublished semi-autobiographical play In Moonlight Black Boys Look Blue
    Favorite Screenplay: EVERYTHING EVERYWHERE ALL AT ONCE written by Daniel Scheinert and Daniel Kwan
    Favorite Series: “Interview with a Vampire” developed by Rolin Jones, based on “The Vampire Chronicle"s” by Anne Rice

  • A collage of four images: a professional man in a suit smiling, two people lying on an ice rink with a crack in the ice, a superhero Black Panther with clenched fists, and a diverse group of young adults standing together.

    Carlton Allen, Story Expert

    Working writer and master teacher, Carlton Allen (He/him) is a young mixed kid from South Los Angeles, who enjoyed escaping into good movies and television on a regular basis. He never dreamed he could one day do that as a job. Several years later during a business communication class at the University of Arizona, Carlton heard a classmate give a speech about screenwriting. The very next day, he switched his major from business to communication with the goal of writing and producing television and feature length films.

    Carlton's passion is to create unique stories with diverse voices all wrapped up in a thought-provoking yet entertaining package.  To date, Carlton has written dozens of specs, original pilots, and features, placing in such competitions as The Austin Film Festival and Final Draft’s Big Break.

    As Carlton traverses the screenwriting industry, he takes on writing gigs to keep his skills sharp. He was hired to write a CRM sales-focused interactive simulation for training and hiring practices where he crafted the story, outcome-based scenes based on player options, and wrote the dialogue for all the NPC’s (Non-Player Characters).

    Carlton also recently published a short book of fun facts and the history of tennis.  A passion project, Pocket Guide of Fun Facts About Tennis gave him an opportunity to learn about online publishing. Both of these projects had their own set of challenges, just like learning and growing in screenwriting, but it's always worth the reward. They both opened his eyes to the type of work that’s available to writers while we work like hell to make it in Hollywood.

    Highlights: (Production) Warner Bros. Nickelodeon, FOX and CBS (Teaching) Chrysler, Dodge, Jeep, RAM, FIAT and Toyota

    Fun Facts:
    Hometown: Los Angeles, CA
    Favorite Film: ETERNAL SUNSHINE OF THE SPOTLESS MIND written by Charlie Kauffman
    Favorite Screenplay: BLACK PANTHER written by Joe Robert Cole & Ryan Coogler based on the Marvel Comics by Jack Kirby and Stan Lee
    Favorite Series: “The Big Bang Theory” created by Chuck Lorre and Bill Prady

you’ve got questions.
we’ve got answers.

Browse our FAQs — or chat 1:1 with a Story Expert to get your questions answered.

YOUR STORY DESERVES TO MAKE IT TO THE SCREEN.

The pros don’t skip development. Neither should you.