is a producer at an advertising agency, specializing in execution of the client’s vision so it resonates and drives impact with the audience. She connects creative, strategy, and production—clarifying goals, aligning teams, and turning ideas into clear plans and calm, on-time execution. She joined The Professional Pen’s Changemakers Executive Training Program to influence projects earlier in the pipeline: to sharpen story instincts, learn how executives evaluate potential, and give notes that elevate the work without rewriting the writer. Camille wants to be in the conversations that shape what gets made—how projects are positioned, why they’re greenlit, and how they land with real people.

is a screenwriter, author, and journalist from Clearwater, Florida. With a marketing degree from the University of Central Florida and over eight years of experience in marketing and television, she has contributed to the entertainment industry through both strategy and storytelling. As a writer, Cassandra has penned articles for top African American publications, including Sister 2 Sister, JET, Juicy and Sheen. She has also written four books and scripted films such as My Valentine Wedding, A Christmas Gift, and A Christmas Miracle, as well as the digital series Tough Love Atlanta. Her work has been featured on BET, BET+, TV One, and Cleo TV. Combining creativity with strategic storytelling, Cassandra continues to craft compelling narratives across multiple platforms.

is a DC-based playwright, educator, and arts administrator committed to nurturing storytellers and funding impactful projects. A Lambda Literary Fellow and winner of the Gaffney Playwriting Award, she has presented work at the Atlas INTERSECTIONS Festival and held residencies with The Welders and the Kennedy Center. As a teaching artist, she’s worked with the National Portrait Gallery, Shakespeare Theatre Company, and Young Playwrights’ Theater. Catherine has also served as a grant panelist and community engager with organizations across DC and Maryland, including Woolly Mammoth and Forum Theatre. Across all roles, Cat Frost is committed to nurturing storytellers and funding impactful projects.

is an attorney, federal mediator, and screenwriter based in Chicago with a career spanning public service, advocacy, and leadership. Dionne led the Partnership and Engagement Program for the U.S. Census Bureau, where she served as a principal liaison and subject matter expert focused on advancing equity and representation across diverse communities.  Dionne is the founder of 1919 Media Company, an entertainment venture dedicated to championing diverse, character-driven stories that explore identity, power, love, and ambition. Rooted in lived experience, her storytelling invites audiences to embrace vulnerability and transformation while amplifying underrepresented voices with nuance and depth.

is a passionate production professional with many years of experience working on a variety of unscripted shows.  As a Production Coordinator, she has supported several productions such as The Real Daytime Talk Show, The Kelly Clarkson Show (NBC), Roller Jam (MAX), and Celebrations with Lacey Chabert (Hallmark).  Erica holds a B.A. in Television Production from California State University, Northridge where her excitement for storytelling grew throughout her educational journey.  Driven by a desire to contribute to the creation of compelling stories, she is now eager to bridge her production background into development and collaborate with other creatives to bring captivating stories to life.  

Description goes hereis a former federal employee now shifting into Hollywood on a creative executive path, building a body of work rooted in authentic storytelling, humor, and cultural nuance. She is the founder of I Pick Passion Productions, where she has produced original podcasts, creating conversations that amplify purpose, creativity, and real-life experiences. Richmond, VA-bred, she is passionate about spotlighting underrepresented voices and developing impactful content across television, film, podcasting, and broader storytelling spaces.

is a seasoned storyteller and strategic communicator who has bridged politics and media over the past decade. As a Senior Producer at SiriusXM, she has produced award-winning podcasts like Scam Goddess, The fckry, and Best Friends, collaborating with top talent and leading full-scale production efforts. Before pivoting to media, she held key press roles at the National Endowment for the Arts, the U.S. Department of Energy, and on Capitol Hill for Reps. Yvette Clarke and Sheila Jackson Lee. A first-generation U.S. citizen from Brooklyn, Judith holds an M.S. in Television from Boston University and a B.A. in Media Studies from The Catholic University of America.

is a Bay Area–raised screenwriter whose work blends sharp cultural commentary with emotionally resonant, character-driven storytelling. After managing major accounts for Disney, Mattel, and Warner Bros. in digital media and advertising, she pivoted to screenwriting and is completing UCLA Extension’s Screenwriting Certificate. Her work includes the award-recognized pilot Forgotten Sons and short film She Said, Yes (a Shore Scripts semifinalist). Lauren currently interns at Chuck Rose Productions, bringing her marketing savvy to story development. Mentored by industry leaders like Ron McCants and Jeanie Bergen, she centers characters navigating systems not built for them, with a mission to craft culturally impactful stories for TV.

is a social-first storyteller with roots in San Francisco and St. Louis, currently pursuing her BFA in television writing and screenwriting at New York University. Her love for storytelling began with shows like Flapjack and Shameless, which explored untraditional family dynamics in the media and interweaved social issues with a unique blend of comedy or the fantastical. Throughout her academic career, Pierce has interned for companies such as FX Networks, Marvel, Juvee, EA Games, and Disney Imagineering. These experiences have equipped her with a diverse toolkit that will empower her to bring unconventional narratives to the forefront of entertainment.